excavations into a hazy past,both mine and ours,to make sense of the now. experiments with form and narrative, attempts at piercing the intellect, so we can begin to feel. this is a blog of my explorations and inspirations at the memory lab, srishti school of art design and technology,bangalore. -siddharth gautam
Friday, 30 November 2012
Thursday, 29 November 2012
conversation with mr gerson carniero
Mr G: so
how can I help you?
Me:no with
regard to our project, we have been talking to many people all over the city,
We are trying to
collect conversations about or over food.
Mr G: im
not much of a foodie myself, but lets talk and see if I can help.
Me: sure,so
lets start with a short introduction maybe? My name is Siddharth and im from
delhi. Im studying art.
Mr G: my
name is Gerson. And Im a l,zocalite. I served as captain in the merchant navy for
many years, and have now retired.we are actually termed anglo Indians, but we
have Portuguese ancestry.
Me: yes,
are you fine with that? Being of Portuguese ancestry and being called anglo Indian?
Mr G: yes I
have no issues whatsoever, that’s a government thing, they have so many communities
here so for the govts sake they have clubbed all of us as anglo Indians. But for
all purposes im a kochiitte.
Me: I find
it amazing that so many communities can live here in one place.we are trying to
arrive at multiple perspectives of looking at kochi, eg. Some people say that the kashmiris are a nuisance,
whereas the kashmiris have a completely different point of view.
Mr G: oh
yes, only recently the kashmiris have come and have set up shops and businesses
here. The locals actually cant compete, that’s why the jealousy. The kashmiris
come and spend a lot of money on buying land and such things. They don’t interfere
with anyone.
Me: as out
project has to do with food,what is your favourite dish?
Mr G: im
not really fussy at all, and I normally have a traditional zerala meal,
sometimes we make Portuguese cuisine as well. Like vindaloo etc. but personally
, I love European food, I love steaks.
Me: what is
vindaloo?
Mr G: it’s
a pork based curry with marinations and such things, it tends to be sour but
its very nice.
Me: has the
food changed over the years?
Mr G: im
sure it has but ive been here all my life, so I haven’t really noticed. What interesting
is that certain food that are considered traditionally keralite, are actually
ideas that the Portuguese have brought to india. You must have had puttu?
Me: yes.i
liked it a lot.
Mr G: yes,
the Portuguese actually showed people how you can cook and make rice cakes
inside a bamboo! Even vivankjim I think that’s how they spell it, it’s a sweet
thing. Its also Portuguese.
Me: wow I didn’t
know that.
Mr G:haha,
yes it is interesting.
Me: how do
you find kochi to live in. in the merchant navy you must have seen so much of
the world.
Mr G: well
if you have money, kochi is beautiful. Its expensive, but if you have money you
can life a very good life, its laidback and quiet. It’s a retired man’s life.you
can get servants easily, you live peacefully.
Me: I haven’t
seen any teenagers around.ive seen young kids in school , but where are the
teenagers?
Mr G: see
its an old mans town, as soon as kids finish school they spread out to all
corners of india and abroad, they go to the gulf,Australia, Canada, uk, Bangalore,
Bombay as well.they get better education and better opportunities there.
Me: what about
your father, what did he do?
Mr G: he
was a merchant, and my brothers and me have all been captains in the merchant
navy.My son is now I pilot though, the merchant navy had its time, when I joined
it was the best job one could go for, even better than a doctor or and
engineer.it has its perks, you get to see many different places all over the
world, and you earn a lot of money. But once you are married and have children,
you miss out and your family misses out on a lot.
Me: was
your wife ok with you being out all the time?
Mr G:
actually that’s an interesting story. Theres a famous ship called Chidambaram,
which in those days, went from madras to Malaysia. I was second officer on the ship and she was a
passenger. We met on board, I think somewhere around Singapore, and after our
time on the ship, we got married 5 years later. Her name is Vinnie.
Me: what does
she do now?
Mr G: she
runs a beauty parlour in fort kochi itself, but currently shes gone off to Canada
actually my daughter in law is expecting a baby.
Me:
congratulations!
Mr G:
thankyou!
Me:I noticed
your house has a name!
Mr G: haha
yes. My reasoning is that it’s the gift the sea has given me, all my earnings
at sea have allowed me to build this house here. Hence, seagift.
Me: how
nice. In the olden times, when you used to go out on your voyages, did you
bring any things back with you?
Mr G: oh
yes there was this wonderful music system I got from japan, and at that time
those weren’t heard of in kochi, and everyone was excited. I just recently gave
it away. It lasted me about 25 years.Apart from that I had this hobby of
collecting stamps wherever I went, and I had quite a good collection.
Me: oh can I
see!
Mr G: all
those times have passed, now I have given it away to my children and I don’t have
it anymore.
Me: how is
it to be out at sea for such long stretches of time? You must be very attached
to the sea.
Mr G: ive
had a lot of experiences at sea. I loved it a lot but it poses a lot of
challenges. After all a crew of 35 odd officers are responsible for safely taking
the ship from one continent to another at times. I remember pirates were also a
nuisance. They weren’t that big of a problem as they are now. But they would throw
hooks, when the ship was slow, and rob things in the cabins etc.i got robbed
once long back of some 10000 dollars,it was somewhere off Singapore.
Me: ok
thanks a lot for your time, If youre free later, we can meet again.
Mr G: yes
sure, just give me a call.
Me: see
you.
Wednesday, 28 November 2012
conversation with mr thomas tharian
Me: Hello, thanks so much for coming to meet us.
Mr t: no problem. so yes, ask me whatever you like, ill tell you.
Me: ok so maybe we can start with a short introduction. What do you do sir?
Mr t:I own a homestay here in fort kochi. After tourism boomed here,we moved to enrakulam and started a homestay here. Its amazing. 5-6 years back there were only 5-6 hotel in fort kochi. Now as you can see, there are big hotels like the harbor hotel, and there are hundreds of homestays.this has been a recent development.We were a family with 7-8 children, so we divided our fort kochi property amongst the children and we moved to ernakulam.
Me:the old harbor hotel used to be a jewish house right?
Mr t: no actually,that one used to be a house of one of the tea company bosses. It was called old harbour’s house. There’s a hotel called koder house now, in earlier times , S.Koder, who was the head of the jews in kochi used to stay there.I remember him being around when I was a small child.Its quite a beautiful building and has now be made into a very high class hotel. You should go and check it out for yourself.even though the buildings have been renovated, they have still kept the old style intact.
Me:What all has changed in kochi since you’ve been around?
Mr T: you’ve been to mattancherry?
Me: yes, we just went there yesterday.
Mr T: mattancherry, not too long ago, used to a filthy area.Now with tourism booming, kashmiris have come there and have started small handicrafts stores there.stragely, this area that once used to filthy has become a treasure island or businessmen.The container terminal that we can see from here has also been a recent development.the prime minister inaugurated it just a year back.now it is competing with the Colombo port, and I think if the govt relaxes the taxes, rules and such things, it will be the premier port in the area. Its going to be the best business. The place is actually called valadpadam, which funnily means paddy field, look what has developed there now.
The Gosree bridges were also a major development in the area. These are three bridges that connect fort kochi, willingdon island and ernakulam. Huge flats are coming up now there because of these bridges.
Me: what did your father do?
Mr T:My father owned a tea company called AVTT( a v Thomas tea company). He came here for that reason.
Me: what are your views on theboom that kochi is going through?
Mr T: I think its great, kochi has developed in multiples.All are literate here. Its very good for business too and its going to get better.
Me:Where did you study?
Mr T: I studied in st john’s de britto school.We were taught by anglo-indian teachers.There was a girls branch too, It was called st marys girls school.The education was very good. We learn good English.theres lots of goof schools like delta study school and chinmaya vidyalaya.Im very proud of kochin.all the communities that live here love kochi,auto walahs love kochi, they charge the tourists highly! Haha. Even the fishermen cater to the tourists. The heritage is well maintained.
Me: are the tourists mainly from other countries?
Mr T:well mostly, but now even state tourism is coming up in a big way.Lots of I.T companies are coming in for trips. The govt too is encouraging them by giving incentives and funds. Actually,the I.T sector is the cheapest manpower youll find in kerala.all of these people ended up going to the gulf to work because bigger companies were paying more there.
Me: our project is probably going to revolve around food.
Mr t: oh, you get lots of kerala speciality food here. All the tourists want to try out our food.Puttu, which is a steamed cake, is quite a hit, and you get it for really cheap on the roadside and you get really expensive ones in the hotels! In my father’s time, our breakfast used to cost 25 ps, We were fond of appam and curry, puttu and such things.
Me: who generally cooks food in the household?
Mr T: women are in the kitchen all the time, while the men go out and work. But now, men have also started going for hotel management and cooking courses and even they are respectable courses because of the tourism sector. Earlier they weren’t considered to be good courses. Parents would want their children to become doctors, or engineers.earlier parents would be shy to tell others if their son was a chef.
Me:its late, you came from ernakulam right now?
Mr T: oh yes, it was a friend’s wedding, im a bass singer, we had a singing session with a choir.you guys should come to the church on Sunday, I sing in the malayali mass over there.
Me: sure!
Mr t: anyway, I have to go home and eat dinner now, let me know how your project goes and call me if you need any help.
Me: sure sir! Thanks a lot!
conversation with tg suresh.
Our project is moving in a direction where we collect conversations with different people from kochi, over food. yesterday, i spoke with a local artist called suresh while we had black tea and shared a bidi.
We plan to represent these conversations in the form of postcards, so i decided to start some iterations.
below is a summary of the conversation and the images are what i drew later.
*******
Me: wow! nice studio!
Mr S: its a small one, but the energy is great!
Me: desmond, sent me here.
Mr S: oh yeah, hes a good friend of mine.
Me: can i talk to you for sometime?
Mr: sure, lets talk over tea, maybe we can eat something too.
(walk to small tea shop closeby, the area is mattancherry, he orders tea. black for himself, milk chai for me, he lights a bidi and we sit down at a small table)
Me: there were a lot of elephant paintings i saw in your studio. why are you so interested in elephants?
Mr S:haha! ive been working on this series for 7 years now. i draw only elephants. not normal black, or grey, not even white ones, but in different colours, in different postures.
Me: hmm, why so?
Mr S: haha everyone asks me that. at times i tell people, that the elephant's trunk is so unique, or its the biggest land animal. ill tell you tt something interesting,i think elephants are socialist animals, when i kid is born, every mother takes care of the kid. we have a lot to learn from them dont we? and you might not agree,but my aim is not to represent elephants. i am representing humans. this is me dream for the world, free people, happy peaceful people, elephants without chains.
Me:are you interested in politics?
Mr S: yes, sure im very interested in politics. but i dont contest elections or anything. im saying what i need to say through the images im making.my paintings are for the people. i dont agree with people who say communism is an old concept.
Me: kerala has a history of communism right?
Mr S: yeah that might have been there earlier. but now its become bureaucratic. its not communism.
do you know 80 years back common people didnt have clothes to wear in kerala!?
Me: really? sounds impossible to me.
Mr S: no im telling you only the rajas had some kind of long coats, the common people had nothing much at all. if they wanted to cover themselves up, they had to pay taxes!
Me:what? why?
Mr S: thats how the maharajas rule was.
Me: do these things that youre concerned with figure in your paintings?
Mr S:yes. i paint freedom. ultimate freedom. dancing elephants. jumping elephants. i think thats how the world should be.
Me:what are your views on the biennale?
Mr S: i think those guys are doing a corporate event. the biennale is not for the people. there is no local representation. there are so many local artists. no one is displaying there. we are planning to hold a parallel event on 12/12/12 where we local artists will talk about our views.
Me:i saw a few bob marley posters around. whats that about?
Mr S: i believe in bob marley's philosophy. his music came to me 30 years ago. we used to go to fort kochi to find cassetes and we'd listen to his music. his music was music of the opressed people. it had a fighting spirit.every two years, we organise a bob marley remembering event, and i read my poems there and give talks about my philosophies.
this is an excerpt from one poem i wrote last year.
" say no barricade
say no border
say no fort
say no force
say no war
hence only peace
and
freedom
of everyone"
Me: do you think people are opressed in kerala?
Mr V: must be.
Me: what about other communities?
Mr v: yeah there are lots of different communities here. there are a handful of places like kochi in the world. there are jews, muslims, malayalis, christians everyone. i have hundreds of friends around here. from all communities. you should come here in the evening. we have a session of music and lot of my friends gather and talk and sing.
Me: sure i would like to come for that!
Mr S: you must.see you for now.
Me: bye.
*****
We plan to represent these conversations in the form of postcards, so i decided to start some iterations.
below is a summary of the conversation and the images are what i drew later.
*******
Me: wow! nice studio!
Mr S: its a small one, but the energy is great!
Me: desmond, sent me here.
Mr S: oh yeah, hes a good friend of mine.
Me: can i talk to you for sometime?
Mr: sure, lets talk over tea, maybe we can eat something too.
(walk to small tea shop closeby, the area is mattancherry, he orders tea. black for himself, milk chai for me, he lights a bidi and we sit down at a small table)
Me: there were a lot of elephant paintings i saw in your studio. why are you so interested in elephants?
Mr S:haha! ive been working on this series for 7 years now. i draw only elephants. not normal black, or grey, not even white ones, but in different colours, in different postures.
Me: hmm, why so?
Mr S: haha everyone asks me that. at times i tell people, that the elephant's trunk is so unique, or its the biggest land animal. ill tell you tt something interesting,i think elephants are socialist animals, when i kid is born, every mother takes care of the kid. we have a lot to learn from them dont we? and you might not agree,but my aim is not to represent elephants. i am representing humans. this is me dream for the world, free people, happy peaceful people, elephants without chains.
Me:are you interested in politics?
Mr S: yes, sure im very interested in politics. but i dont contest elections or anything. im saying what i need to say through the images im making.my paintings are for the people. i dont agree with people who say communism is an old concept.
Me: kerala has a history of communism right?
Mr S: yeah that might have been there earlier. but now its become bureaucratic. its not communism.
do you know 80 years back common people didnt have clothes to wear in kerala!?
Me: really? sounds impossible to me.
Mr S: no im telling you only the rajas had some kind of long coats, the common people had nothing much at all. if they wanted to cover themselves up, they had to pay taxes!
Me:what? why?
Mr S: thats how the maharajas rule was.
Me: do these things that youre concerned with figure in your paintings?
Mr S:yes. i paint freedom. ultimate freedom. dancing elephants. jumping elephants. i think thats how the world should be.
Me:what are your views on the biennale?
Mr S: i think those guys are doing a corporate event. the biennale is not for the people. there is no local representation. there are so many local artists. no one is displaying there. we are planning to hold a parallel event on 12/12/12 where we local artists will talk about our views.
Me:i saw a few bob marley posters around. whats that about?
Mr S: i believe in bob marley's philosophy. his music came to me 30 years ago. we used to go to fort kochi to find cassetes and we'd listen to his music. his music was music of the opressed people. it had a fighting spirit.every two years, we organise a bob marley remembering event, and i read my poems there and give talks about my philosophies.
this is an excerpt from one poem i wrote last year.
" say no barricade
say no border
say no fort
say no force
say no war
hence only peace
and
freedom
of everyone"
Me: do you think people are opressed in kerala?
Mr V: must be.
Me: what about other communities?
Mr v: yeah there are lots of different communities here. there are a handful of places like kochi in the world. there are jews, muslims, malayalis, christians everyone. i have hundreds of friends around here. from all communities. you should come here in the evening. we have a session of music and lot of my friends gather and talk and sing.
Me: sure i would like to come for that!
Mr S: you must.see you for now.
Me: bye.
*****
Sunday, 25 November 2012
a conversation with mr venugopal
with regard to our project, we have all been doing interviews with people from different communities from town. this is the transcript from one intterview i did with mr venugopal, from the nair community of kerala.
Me: where
is your family from, are you originally from kochin?
Mr V:Our family
actually comes from palgad, which is about 150 kms away from here.now for 2-3
generations we have been in ernakulam.
Me: After
coming to kochi, I am amazed at how many communities live here.
Mr.V:Well
yes. I would like to tell you a little about the history of kochi.The
Portuguese came to Calicut in
1502, where they didn’t get privileges as the
zamorin king of calicut did not get along well with the Portuguese. Hence, they
came to kochin where vasco made friends with the maharaja.they ended up ruling
for around 150 years.In 1663, the dutch came, and there was a soldier named van
rheede, who ended up becoming the head of the dutch community here. He was the
one who wrote the hortus malabaricus, which you must have heard about.
Me: yes I
have heard about it, It was a work on botany right?
Mr.V:yes,
it’s a treatise on the medicinal properties of plants in the Malabar region.
Me: hmm.
Mr V:
around 1777, there was british rule. Oh yes, and also I think it would be of
interest to you to know about muziris. Muziris was a port in ancient roman
times. It was a center for trade of spices, textile and sandalwood.Recently,
roman coins were excavated from there!
Me:What
about your community?
Mr V: We
actually come from the nair community, which is the martial tribe of
kerala.Whats unusual is that the matrinial system is followed.All the money in
the family is traditionally kept with the mothers,because the men were always
on the front and no one knew if they would come back or not. It was a system to
contain wealth within the family.
Me:is It
that way now too?
Mr V: no
now things have changed, so not many people follow this tradition.
Me: What do
you do professionally?
Mr V:I
studied at the SRV high school, and then the Mahraja school, where I studied
sociology and English.then I went to ediburough for management. I was the owner
of the tire company which is now Apollo tires. It was called premier tires when
I was there. Now I have retired and am a patron in the kerala fine arts
ascosciation.
Me:oh yes!
We saw a concert there yesterday!
MrV: ah
yes! It was some Pakistani band right, I didn’t catch it. you know, just
recently, I got the ACs installed in that auditorium.
Me:yes, we enjoyed
the concert. Your house is very beautiful!
Mr V:yes,
you know nothing in this house Is less than 75 years old.my father used to live
a little bit awa from here, but that area became very commercialized, so I decided
to make my house here.At the same time, i didn’t want to let go of the things
in that house, so I brought all the things from there to this place. The switchboards,
the fans, the tables.that chair in the corner is about a 100 years old!
Me:Wow! What
about that chest on the table?
Mr V: that
is my mothers jewel case. Its again about a 120 years old.I found it in the attic
of our old house and I brought it here.
Me: wow its
very beautiful. So, our project is about the cosmopolitan nature of kochi, any thoughts
on that?
Mr V: Well
in our time, I remember kochi used to be a very peaceful place, not that it isn’t
now, but I remember it didn’t matter whether out friends were Christians or
malayalis or anything else. My good friend Joseph passed away away a few years
back. He was very close to me. although, recently I have heard news of some
violence here based on communal grounds. It was never like that
earlier.everyone knew everyone else.
Me: was he
a friend from school? If I may ask.
Mr V: no
no, we both studied at maharaja college. I have lost touch with my school
friends. Its been a really long while.
Me:personally,
I find myself wondering about how old kochi used to be. Where I come from,
there is a trend of big companies buying land and demolishing beautiful old
buildings to build malls etc. has kochi changed much?
Mr V:oh
yes! Back in the day the whole area was much like an extended village, everyone
knew everybody, there were very few vehicles, and there was much more greenery.
Me:any
things that youd like to share for me to get an idea about old kochi?
Mr v:theres
this incident that ill tell you.My father was a professor at maharaja college,
which is where I also studied.one day he had this idea of introducing a botany
degree course here. I remember he told us, within 2 days, he went to the govt
authorities and It was done and work began.I myself wanted to introduce a
course at chinmay college, which is not even a government college with
excessive permissions to take etc. but I have been working for 2 years on that
now and nothing has moved forward. Its pathetic.
Back in the
day, education was at its peak.more than education I would say the intellectual
level in kerala has really come down, although on paper the state is still at
highlest literacy in the country.It has become a consumer state now, and people
are just running after things they want to buy and acquire.
Me: doesn’t
kerala have a history of communism?
Mr V: that is
true, but now it really doesn’t matter what party is governing. They are all
coalitions with so many parties that there is no change or collective vision as
such.
Me: hmm, are
the people interested in politics?
Mr v: yes, that’s
one thing I will say, people are politically conscious. There have been times
where autowalas will refuse to take you to your destination because they are
reading a paper in the morning.they all discuss politics amongst themselves as
well.on a local mla level.
Oh and
another thing. Kerala is the state with the highest degree of liquor
comsumption in the entire country. People drink in the afternoon. One of my
nieces has a company here, at one point she had to declare Monday as a holiday,
because so many people wouldn’t turn up after drinking so much on Sunday.
I remember
another incident. There was this new head of cultural society recently, and I was
chatting about my stay in edinborough, and he didn’t even know where
edinborough was! Can you imagine? And he was the head of the society.
Me:yeah that’s
sad. Here, id like to tell you a bit about our project. We are trying to
represent the cosmopolitanism in kochi through the different kinds of food
here. What your take on food?
Mr V: I don’t
cook, but I eat whatever my sister serves me. its mostly malyali food, with
rice, sambar , dal, chapatti. She lives across the road.
Me: what do
you eat for your other meals. And whats you daily routine like?
Mr V:in the
morning I have 2 toasts or biscuits with black coffee. Then after that I read
poetry. Mostly stuff myy wordsworth,Tennyson, keats. I like the classics. In the
afternoon I go over to my sisters to have a kerala lunch. Which has rice, dal
etc like I told you. Then if people are over I sit with them. In the evening I have
black tea and 2 biscuits. Then I read again, and maybe go for a short walk too.
Me: what
kind of books do you like?
Mr V: well
apart from the poetry, I like to read biographies , historical books. Im not really
interested in fiction.i tried reading one recently, but most times I like
reading history.
Me:ok
Mr V:yes so
in the night, and you might find it strange, I have some dryfruits.cashewnuts
and such things.
Me: how
come?
Mr v: no its
just a matter of habit. And now I don’t really feel the need to eat that much. Plus
since my sister lives across the road, I don’t like to hassle her. I make do
with cashewnuts.
Me: I see
lots of music cds too.
Mr V: yes
some evenings I enjoy some music, which is mostly carnatic music like
thyagaraja, ilayraja.i like western classical too.
Me: hmm,
any more incidents youd like to share?
Mr V: yes,
theres one more. I told you about joseph right, when we were in college in our
final year,I was playing tennis with some other friends.then another friend ran
up to us and told us that joseph was going to commit suicide! We tried to find
him and finally found him sitting on a stone near the railway track.when we went
up to him, he told us that the principal, had caught him romancing with a girl
and he felt so bad that he wanted to kill himself. We tried to cheer him up,
but to no avail. So we dragged him for a coffee to kochin refreshement house. That
I was also the first time I ate outside home. It wasn’t considered a good
thing, to eat out I mean. No respectable person ate out.I had vegetable cutlets
and coffee which came upto 50 ps.
So yes,
finally joseph calmed down.haha!
Me: there
are so many religions in kochi, Christians, muslims, hindus, jews etc. what are
your views on religion?
Mr V: I don’t
have any issues with any religion, as I said, I had lots of Christian friends,
muslims,everyone, it didn’t matter. The only thing ill tell you is that “ you should have, faith, otherwise you’re
like a ship without an anchor”. This is something st paul said.
Nowdays
though, the sad part is that the priests have become more powerful than the
gods and they have begun to exploit people.
Me:hmm, im
just wondering, you never chose to get married?
Mr V: haha,
no , I always liked to live by myself.
Me: there
was never any consideration of marrying?
Mr V:no no
haha, I always liked to live by myself, even now, I wont use the same bathroom
which anoher person has used.
Me: you
have a beautiful old fiat parked outside? Do you like cars?
Mr V: oh
yes! I really like cars. Even though I don’t really drive anymore, every other
morning I clean It and start it to keep the engine in shape.
Me:what kind
of cars were there earlier?
Mr V:as I said,
there weren’t very many cars at all. There were a few morrised, cowleys, and
fords. We kids could identify the owner from the car number.
Me:as im a
student of film, Im curious about how cinema came here.
Mr V: now I
haven’t gone to the theater in really long, but I remember the first movie that
came to ernakulam was achut kanya(untouchable woman), ashok kumar was the lead
role.i think It was around 1938. We all went to marega theater to watch and I remember
my father got me peppermints to eat.other movies I remember are jhools,
khazawchz(khazanchi).the balcony ticket used to be somewhat around 1 rupee.it
used to be a thrilling experience.the first colout movie came in 1948. I also
remember Samson and Delilah, it was one of my favourites.that one was screened
at star talkies in fort kochi, that was where the English movies used to come. Ernakulam
mostly had hindi and malayali cinema.
I remember
an incident when I went to star talkies, after the movie ended a 9:30 in the
night, there were no bused to go back home. I walked home, my mother was very
worried and there was no phone to contact here like now.
That reminds
me, one time when I got a distinction at college, my uncle imported a green
rally cycle for me for 50 rs as a gift, It had a brookse seat,Charles belt,
millers dynamo. I still have that cycle.
Haha! After
I got this cycle, me and my friend ramachandran who was elder to me would ride
together on my green cycle to the college to see girls. When we went the first time,
I was sitting at the back, and ramachandran was riding. A cop stopped us, and
told us not to go overload the bicycle with two people on the main road. That said,
the next day we went to the college again, while coming back, we managed to
bump into the same cop. He made us get off and deflated the tire. He asked us
to come to the station. We pushed the cycle to the station. I was scared. He
asked me who I was and I told him I was the masters son, and he said “ what are
you doing? Being the master’s son, you are creating mischief! Finally he asked
ramachandran, and he told to the cops surprise that he was the son of the
inspector of the area, and the cop stood up, told us sorry sir and let us go! Haha
they were good times.
Me: thanks
a lot uncle, it was great talking to you, when we have a bit more direction
with our work, ill come with few questions prepared. Thanks!
Friday, 23 November 2012
city at it's limits-Daniella Gandolfo
“the soft city of illusion, myth,aspiration, nightmare, is as real, maybe more real than the hard city one can locate on maps in statistics, monographs on urban sociology,demography and architecture”
* in our project, we are trying to capture life in kochi, and this statement from the book really resonated with me.We are hoping to collect conversations over food from all over, which might start from food, but hopefully will go into personal stories. These stories will map out kochi with all its illusions, mythologies, aspirations and nightmares. *
first trip to kochi
Just got back from a week long trip to kochin.These are a few 35mm images i took with my Holga.
The kochi Bienalle has been agreat opportunity and im working with 4 of my friends on a project which the bienalle is encouraging as part of their higher education programme.
As per our project, we have narrowed down to the idea of food triggering conversations, and how these conversations will throw light on the cosmopolitan nature of kochi. During this week, we began the process of getting to know people and talking to them and i will post transcripts of the conversations we have been having.
We have worked on a proposal and the plan is to go back this sunday and start work!
Saturday, 3 November 2012
kochi beinalle
Off to Kochi soon for the kochi biennale. Working in a team of 5 on putting up some work there. more updates soon!
http://www.kochimuzirisbiennale.org/
Sunday, 21 October 2012
Thursday, 18 October 2012
final reflections
The memory lab has come to an end for now, and i have tried to answer these questions for a lot of you who might be wondering what the heck is happening over here. I didnt arrive at concrete conclusions, but it was a journey for me that has given me some direction and things for me to think about.
heres a link to blogs of others part of the lab-http://thememorylab.blogspot.in/2012/09/link-to-personal-blogs.html
1. PROJECTS
TITLES: Why did you choose these projects and what was involved in the decision
making process? (Refer to the three projects you have done)
The process differed
while working on each project. For the first project, I tried to start with the
strongest memory I had at that time, the death of my grandfather and worked on
a way to give form to how I felt about choosing not to attend his funeral. For
the next two projects, the process differed.I got inspired by objects, like the
old radio and began playing around with them, and this play triggered memories
and feelings in me which would inturn, influence the form. Similarly,for the
third project, I was inspired by miniature painting styles and many narratives
within one image, I didnt realise then, but coincidentally I was reading orhan
pamuk’s my name is read which has a strong underlying narrative about the
miniature artists of the Islamic world. These thoughts and the idea of the
collaboration somehow came together for the final project.
2. SUBJECT:
Reflect on the subject matter of your chosen projects and the breadth of
research that you have conducted on these subjects?
The first project, I
have to admit, lacked the research element. Im not talking about the internet
kind of research here, Im saying I should have delved more into how I felt at
the death of my grandfather,it was not only anger and confusion as the final
piece portrayed, but a strange complex emotion that I still haven’t wrapped my
head around. The first work was about the anger of a person, but it would have
been richer If I had made it about my anger and not just any anger, that would
have added nuances to make it a richer piece.
For the second
project, which was the memory radio, Most of my time spent was figuring out the
electronics and programming to get the piece working, so again more research on
the actual content of the piece and getting exposed to more spoken word art and
sound art would have definitely helped me tell the story better.
The third project
fortunately, had a lot of things brewing in my head, from the miniatures of
rajasthan to the medieval paintings of Albrecht durer. I looked up a lot of Dadaist
work to see how the collage form has been applied elsewhere.
Overall, Susan
Sontag’s against interpretation was the one article that has stayed with me the
most, and if I compare my work process to last year or even a few months back,
it has opened me up to intuition in some sense, whereas earlier I would try to be
logic heavy.
3.
AIMS/OBJECTIVES/CONCEPTS: How and to what extent have you achieved the aim and
objectives of the projects? Describe the main concepts driving the projects.
The aim of the first
project was to create a mood and a physical experience for the viewer revolving
around the memory that I had, I think it succeeded to some extent and people
felt that were entering someone elses private space, and it made them
uncomfortable, at the same time, maybe it didn’t allow for entry points.
For the second
project, I felt the interaction of tuning in to the radio to listen to stories
was a success for me, and I would like to take that forward at some point in
time. I felt it was very strong as a storytelling device.The only thing was it
needed more development on the narrative side. Which is not an issue, because I
am taking that forward, at some point.
4. AUDIENCE: Are
you addressing a specific audience with your work within these projects? For
example, a specific community, your peers, members of your family, a
corporation or business, educators, patients of a hospital department,
government agencies?
Honestly, I haven’t given
much thought to a specific audience in any of the projects,I was just
concentrating on communicating the idea to people in general.
5.
FORM/MEDIUM/PRESENTATION: What are the forms and methods of presentation that
you are working with? From the work you have done so far, have you gained any
insights on your approach to making, doing and documenting?
most importantly, I have
discovered how much blogging helps. When things are not clear in your own head,
you can always go back and see things clearly written out. Also, to see the
blog build up from scratch and to go through the work, is in itself an
inspiration to do more.
Apart from that, as I
mentioned earlier, i have become a little more intuitive in my work, as compared
to the logical work process I had earlier. I am definitely more open to chance,
and to go with the flow, and to not know.and to be okay with it.
6. RESEARCH
METHODS: What kind of research methods have you used to research the projects
work in depth, and how has your research informed your process?
My main research
tool was the internet. Apart from that, a major research/excavation project was
talking to my family so often and hearing stories from the past, and asking
them to send pictures, tapes, photo albums. This part of the research felt great,
and at the risk of sounding corny, has made me closer to my family.
7. REFERENCES:
How useful were the references you explored so far- the artists,
anthropologists, designers, writers or other practitioners?
the artists we all
looked up, and even the ones I found personally on the net were very useful to
look at. It was always great to see what established artists have done and what
standard you’re aiming for. It wasn’t only installation work, but things that I
did in general, like watch someone play a piece of music really well, or a well
made film, all of this I feel added to the thoughts in my head and resulted in
whatever I created during the course of this project.
8. POSITION &
RELATIONSHIP: How do you think your projects would function in, or be
positioned to contribute to, similar contemporary fields of production?
I think that the miniature photography thing that we tried out at the
end has a lot of potential to develop further into a way of making pictures. Similarly,
the radio work is also interesting esp for me as a way of using objects and
technology together, to convey stories and feelings.
Tuesday, 16 October 2012
Memoryscapes- exhibit at aftertastes, Rococo gallery
Concept note- These images were a result of a collaboration between Christiano Penso from Rhode island, U.S and me.
prints size- 12x8 cm
There was a good turnout at the gallery and it was nice to hear what people thought about the work.
Lots of people thought the work was quite interesting, and the fact that the prints were small made them go closer and look for details which was nice.I realised after a few comments though that giving a deeper context to the images through the concept note would have made the experience richer for the viewer.As i was striving not to explain the work through the concept note, i ended up making it minimal and non commital.I realised though, that the context might not be an explanation of the work but would have left more room for interpretation.
aftertastes- exhibition at rococo gallery.
Tuesday, 9 October 2012
Monday, 8 October 2012
death of the physical world
Death of the Physical World
I've been messaging my project partner on and off for several days now, and we've come up with some good ideas. I'm particularly interested in the rise of digital media. As digital media becomes more popular, people tend to push away from physical media.
Kindles aim to replace books. Netflix and Hulu have destroyed businesses like Blockbuster. Music and movies can be purchased online, through itunes, as fewer people buy CDs and DVDs.
Many people, much like myself, have a certain appreciation for physical media. We like to hold the actual media in our hands, but that feeling is disappearing ever so slightly, year by year. I'm very intrigued in exploring the idea of physical media's looming death.
| Recent Photo: "Goodbye, Old Friend."
*
This is a post from my partner's blog. from now on we'll be using the foggy attic as a joint blog to post our progress and conversations
heres a link to his personal blog as well.
*
Friday, 5 October 2012
more progress on memory landscapes
did a few more rounds of exchange over this image with chris. i think it looks quite interesting. hoping to develop our work further with the next one.
i find it intriguing that after working on this image, chris' images too are strangely becoming part of my memories. as i look at the image, i can almost imagine chris' dog, lito, being there with me and ma parents. memory is so malleable and volatile.
Thursday, 4 October 2012
Wednesday, 3 October 2012
progress
we started work today on a peice revolving around memories around an ocean. the idea came from the fact that my partner comes from a place which is called "ocean state", in rhode island.
my memories and images of an ocean will be very different from his and will be interesting to see in our little composition. thinking we should play more with perspective and foreground background elements, maybe text and colour too.
still a work in progress.
my memories and images of an ocean will be very different from his and will be interesting to see in our little composition. thinking we should play more with perspective and foreground background elements, maybe text and colour too.
still a work in progress.
richard hamilton
stumbled upon this inspiring work by richard hamilton.
content wise its gonna be very different from what chris and i are working on, but visually i find it giving me lots of ideas. the play with perspective, and with the sizes of the component images is very interesting. also, its interesting how the images are not perfectly sitting together, and they remind me of their earlier context, where they might have been taken from. thats the beauty im seeing in collages.
content wise its gonna be very different from what chris and i are working on, but visually i find it giving me lots of ideas. the play with perspective, and with the sizes of the component images is very interesting. also, its interesting how the images are not perfectly sitting together, and they remind me of their earlier context, where they might have been taken from. thats the beauty im seeing in collages.
Monday, 1 October 2012
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