excavations into a hazy past,both mine and ours,to make sense of the now. experiments with form and narrative, attempts at piercing the intellect, so we can begin to feel. this is a blog of my explorations and inspirations at the memory lab, srishti school of art design and technology,bangalore. -siddharth gautam
Showing posts with label the foggy attic. Show all posts
Showing posts with label the foggy attic. Show all posts
Sunday, 21 October 2012
Thursday, 18 October 2012
final reflections
The memory lab has come to an end for now, and i have tried to answer these questions for a lot of you who might be wondering what the heck is happening over here. I didnt arrive at concrete conclusions, but it was a journey for me that has given me some direction and things for me to think about.
heres a link to blogs of others part of the lab-http://thememorylab.blogspot.in/2012/09/link-to-personal-blogs.html
1. PROJECTS
TITLES: Why did you choose these projects and what was involved in the decision
making process? (Refer to the three projects you have done)
The process differed
while working on each project. For the first project, I tried to start with the
strongest memory I had at that time, the death of my grandfather and worked on
a way to give form to how I felt about choosing not to attend his funeral. For
the next two projects, the process differed.I got inspired by objects, like the
old radio and began playing around with them, and this play triggered memories
and feelings in me which would inturn, influence the form. Similarly,for the
third project, I was inspired by miniature painting styles and many narratives
within one image, I didnt realise then, but coincidentally I was reading orhan
pamuk’s my name is read which has a strong underlying narrative about the
miniature artists of the Islamic world. These thoughts and the idea of the
collaboration somehow came together for the final project.
2. SUBJECT:
Reflect on the subject matter of your chosen projects and the breadth of
research that you have conducted on these subjects?
The first project, I
have to admit, lacked the research element. Im not talking about the internet
kind of research here, Im saying I should have delved more into how I felt at
the death of my grandfather,it was not only anger and confusion as the final
piece portrayed, but a strange complex emotion that I still haven’t wrapped my
head around. The first work was about the anger of a person, but it would have
been richer If I had made it about my anger and not just any anger, that would
have added nuances to make it a richer piece.
For the second
project, which was the memory radio, Most of my time spent was figuring out the
electronics and programming to get the piece working, so again more research on
the actual content of the piece and getting exposed to more spoken word art and
sound art would have definitely helped me tell the story better.
The third project
fortunately, had a lot of things brewing in my head, from the miniatures of
rajasthan to the medieval paintings of Albrecht durer. I looked up a lot of Dadaist
work to see how the collage form has been applied elsewhere.
Overall, Susan
Sontag’s against interpretation was the one article that has stayed with me the
most, and if I compare my work process to last year or even a few months back,
it has opened me up to intuition in some sense, whereas earlier I would try to be
logic heavy.
3.
AIMS/OBJECTIVES/CONCEPTS: How and to what extent have you achieved the aim and
objectives of the projects? Describe the main concepts driving the projects.
The aim of the first
project was to create a mood and a physical experience for the viewer revolving
around the memory that I had, I think it succeeded to some extent and people
felt that were entering someone elses private space, and it made them
uncomfortable, at the same time, maybe it didn’t allow for entry points.
For the second
project, I felt the interaction of tuning in to the radio to listen to stories
was a success for me, and I would like to take that forward at some point in
time. I felt it was very strong as a storytelling device.The only thing was it
needed more development on the narrative side. Which is not an issue, because I
am taking that forward, at some point.
4. AUDIENCE: Are
you addressing a specific audience with your work within these projects? For
example, a specific community, your peers, members of your family, a
corporation or business, educators, patients of a hospital department,
government agencies?
Honestly, I haven’t given
much thought to a specific audience in any of the projects,I was just
concentrating on communicating the idea to people in general.
5.
FORM/MEDIUM/PRESENTATION: What are the forms and methods of presentation that
you are working with? From the work you have done so far, have you gained any
insights on your approach to making, doing and documenting?
most importantly, I have
discovered how much blogging helps. When things are not clear in your own head,
you can always go back and see things clearly written out. Also, to see the
blog build up from scratch and to go through the work, is in itself an
inspiration to do more.
Apart from that, as I
mentioned earlier, i have become a little more intuitive in my work, as compared
to the logical work process I had earlier. I am definitely more open to chance,
and to go with the flow, and to not know.and to be okay with it.
6. RESEARCH
METHODS: What kind of research methods have you used to research the projects
work in depth, and how has your research informed your process?
My main research
tool was the internet. Apart from that, a major research/excavation project was
talking to my family so often and hearing stories from the past, and asking
them to send pictures, tapes, photo albums. This part of the research felt great,
and at the risk of sounding corny, has made me closer to my family.
7. REFERENCES:
How useful were the references you explored so far- the artists,
anthropologists, designers, writers or other practitioners?
the artists we all
looked up, and even the ones I found personally on the net were very useful to
look at. It was always great to see what established artists have done and what
standard you’re aiming for. It wasn’t only installation work, but things that I
did in general, like watch someone play a piece of music really well, or a well
made film, all of this I feel added to the thoughts in my head and resulted in
whatever I created during the course of this project.
8. POSITION &
RELATIONSHIP: How do you think your projects would function in, or be
positioned to contribute to, similar contemporary fields of production?
I think that the miniature photography thing that we tried out at the
end has a lot of potential to develop further into a way of making pictures. Similarly,
the radio work is also interesting esp for me as a way of using objects and
technology together, to convey stories and feelings.
Tuesday, 16 October 2012
Memoryscapes- exhibit at aftertastes, Rococo gallery
Concept note- These images were a result of a collaboration between Christiano Penso from Rhode island, U.S and me.
prints size- 12x8 cm
There was a good turnout at the gallery and it was nice to hear what people thought about the work.
Lots of people thought the work was quite interesting, and the fact that the prints were small made them go closer and look for details which was nice.I realised after a few comments though that giving a deeper context to the images through the concept note would have made the experience richer for the viewer.As i was striving not to explain the work through the concept note, i ended up making it minimal and non commital.I realised though, that the context might not be an explanation of the work but would have left more room for interpretation.
Tuesday, 9 October 2012
Monday, 8 October 2012
death of the physical world
Death of the Physical World
I've been messaging my project partner on and off for several days now, and we've come up with some good ideas. I'm particularly interested in the rise of digital media. As digital media becomes more popular, people tend to push away from physical media.
Kindles aim to replace books. Netflix and Hulu have destroyed businesses like Blockbuster. Music and movies can be purchased online, through itunes, as fewer people buy CDs and DVDs.
Many people, much like myself, have a certain appreciation for physical media. We like to hold the actual media in our hands, but that feeling is disappearing ever so slightly, year by year. I'm very intrigued in exploring the idea of physical media's looming death.
| Recent Photo: "Goodbye, Old Friend."
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This is a post from my partner's blog. from now on we'll be using the foggy attic as a joint blog to post our progress and conversations
heres a link to his personal blog as well.
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